When comedians draw on the family to make people laugh, everyone is concerned. This documentary looks at everything that is horrifying or hilarious in the family: from the "new generation" fathers to the dictates of the perfect mother, as well as the taboos of parenthood, unmanageable teenagers, and unbearable mothers-in-law.

In 1987, Marcel Béliveau appeared on French TV show 'Surprise Sur Prises' and opened the doors of France to his fellow Québec comedians. Anthony Kavanagh, Michel Courtemanche, Stéphane Rousseau, Véronique Dicaire, Rachid Badouri and Sugar Sammy have all successfully tried their hand at French comedy, and the next generation of comedians is assured with Mariana Maza, Reda Saoui and Virginie Fortin. This documentary, commented by Québec and French personalities, retraces their history through hilarious sketches, cult parodies, TV and radio shows and happenings.

Images of blurred landscapes fade into each other. Apparent rock formations reveal themselves only at second glance as collages of human body parts. Browsing further through the family album uncovers something that is rather rarely found in such private pictorial chronicles: the backs of people’s heads. Grandparents, aunts and friends do not, as usual, look out of the album and the then at the viewer in the now but into the mysterious depths of a neon-lighted corridor. Its architectural elements form a filmic labyrinth behind whose closed doors animated collages of arms and hands perform everyday gestures in a ghost-like pantomime. 　　Moïa Jobin-Paré opens found private photo albums. The connections and stories between the pictures remain as abstract as that which the photographs show is concrete. Poetic spaces of interpretation open up. The Canadian artist offers a special reading. She scrapes individual elements or patterns off the analogue photographs and animates these “painterly” edits in a space of washed-out sounds. Scratches and white dots spread mushroom-like on the physically dissolving images. 　　源自：https://www.dok-leipzig.de/en/film/families-albums/programm

Images of blurred landscapes fade into each other. Apparent rock formations reveal themselves only at second glance as collages of human body parts. Browsing further through the family album uncovers something that is rather rarely found in such private pictorial chronicles: the backs of people’s heads. Grandparents, aunts and friends do not, as usual, look out of the album and the then at the viewer in the now but into the mysterious depths of a neon-lighted corridor. Its architectural elements form a filmic labyrinth behind whose closed doors animated collages of arms and hands perform everyday gestures in a ghost-like pantomime. 　　Moïa Jobin-Paré opens found private photo albums. The connections and stories between the pictures remain as abstract as that which the photographs show is concrete. Poetic spaces of interpretation open up. The Canadian artist offers a special reading. She scrapes individual elements or patterns off the analogue photographs and animates these “painterly” edits in a space of washed-out sounds. Scratches and white dots spread mushroom-like on the physically dissolving images. 　　源自：https://www.dok-leipzig.de/en/film/families-albums/programm

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Back-to-school! For troublemaker Toto, it’s the best playground for fooling around. When a sculpture collapses during the opening of a museum, Toto is immediately blamed. To prove his innocence, Toto has no other option but making a pact with Igor, the school nerd. In exchange for his help, Toto will help Igor being cool. The unlikely duo turns into little detectives. A fun and exciting adventure begins…

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.